Richie Gunn

These are usually fun because the context of vacation is “usually” more relaxed. How much fun it is to get out by the pool early and spend the morning painting while sipping coffee!

I recently gave a talk describing the image-making process using A.I. I jokingly stated that I’d like the A.I. to recognize “my style”. I have been told by many friends that I have an authentic style. This is a vain attempt to flatter myself but I think it would be cool to render any type of image and later video in my own style.

So here are some elements of the style of Richie Gunn. Heavy line work, loose watercolor with a garish color palette and high contrast colors.

I “created” the above images using the Mid Journey AI content generator. It took me 2 minutes to create each image and most of that time was spent waiting on the server to “cook” the ingredients. As with every meatloaf-type endeavor the taste or quality of the thing is directly related to the quality of the ingredients. Good ingredients in, good flavor out or; garbage in, garbage out.

If you covet the creation of compelling images, think of the AI image generators like music players. We can listen to lots of songs in one day, the average pop song is 3 minutes 20 seconds and shrinking. How much time do you have to listen to music?

How much of your time is Image Generation worth? Maybe we generate 5 or 10 cool images per day and then move on to other projects. Then what have you said about yourself? If a picture is worth a thousand words one should be careful with the AI. Artificial intelligence isn’t evil, we are. So be careful Graphic Arts Friend. A body of work will reveal much about the ingredients of the artist. We are still a part of the AI process, we still have Authentic Intelligence, some. So be careful!

Artificial Intelligence is the Wolf and we will have to have it by the ears.

A warning for the consumer of the built environment. Many of the “build-able” looking images generated by AI and a clever co-captain are impossible to build OR may be build-able but prohibitively expensive. So again, be careful, curb your enthusiasm. Budgeting will help.

For the architects and engineers… Our battle will be managing the expectations of clientele. Keep in mind what the 30 second time-lapse renovation has done for client expectations. Many DIYers do not show real-time problems that pop up. Ever had a hassle-free project?

My free advice for y’all in these Interesting Times is here:

A. Ask yourself, “How much does That cost?

B. Be skeptical, what is the message?

C. Consider the source of the image

D. Don’t believe everything you see

E. Eat food with good ingredients (bonus!)

I was approached by a Conservation Club wrestling with the decision on whether or not to restore or renovate a 1920’s era railway caboose on their property. The issue of “original intent of design” arose and I began researching the history of railway car engineering. This became the pre-design information that would prove beneficial to understanding the issue at hand and asking the appropriate questions: How much will it cost to restore this caboose? Why are the ceilings so low? Why are the window sills and headers so low in the floor-to-ceiling dimension? How would raising the ceiling affect the overall look? etc.

My research led me to the American Rail Car Encyclopedia – 1930 edition, a fascinating look into the construction methods And mentality of pre-Depression industrialism in America. I quickly learned that the caboose was a riding car for passengers; they didn’t need much head room, the windows were low because the passengers would be sitting. This information helped maintain the aesthetic of the interior; the windows were large compared to the lower ceiling height and the low ceiling made the cab feel cozy. Back in the day the wood stove would have heated that volume. The cupola had a total of 8 windows so the entire space was sky light as long as the sun was shining, it also had a raised balconette with seats. The lucky passengers riding up there would have a view in every direction.

These rail cars are still standing today because of the American “over-build” mindset of the 1920’s. Our caboose was constructed of heavy iron parts that were molded in a large foundry near Lansing, MI in 1924. The heavy iron frame rests on the wheel trucks and supports the heavy 5″ x 8″ timber deck frame, which in turn supports the (actual) 2″ x 4″ stud walls which are tied from top to bottom to the frame by 3/4″ iron tie-rods, strategically placed to prevent wracking when the train begins to move. The encyclopedia claims that these types of cars weigh around 60,000 pounds and are “light-weight” when compared to the heavier freight cars. This gave me a whole new respect for the people of that time and for the scale of their “all-growth” mindset.

After sizing up the extent and effort required in the demolition process, the conversation quickly turned away from restoration and toward renovation. This was a huge first step in the right direction. My client then felt tempted to change the proportions of the caboose to make it more comfortable, like raising the ceilings to 8′. The only two arguments I brought against that notion were: Changing the proportions will make it look like a trailer home, and we would loose the ‘quaint’ look of the caboose. That was all it took.

The overall look and feel of the caboose will stay the same but the material and methods will be much lighter and way cheaper. The enigma of that era will live on in museums but it’s usefulness and practicality are gone from us which isn’t so sad considering the amount of coal burned, creosote poured, and who knows what other toxic chemicals used to keep the trains rolling. I hope the trucking and cargo container industries are more efficient, but they’ll never match the Romanticism of the Railroad.

If you would like to commission a house portrait for a family member or neighbor please contact me at richievgunn(AT)gmail.com to get the ball rolling. The cost, depending on the size or complexity, will vary but the average price is about $300 for a 24″ x 24″ image painted on 3/4″ plywood, hanging hardware applied, free shipping.

Conceptual work for a miniature golf course in the hot and muggy Caribbean.

I got a new job! I work for Adventure Golf Services in Traverse City, Michigan – I am a miniature golf course designer. Since half of our work must meet the requirements of the Americans with Disabilities Act and many courses will go into an existing building And I am an architect for crying out loud, I’m “rebranding” myself as a Miniature Golf Architect. I’m pretty much an MGA.

These isometric perspectives were inspired by John McPhee’s book, Annals of the Former World. I did not appreciate geology until I read that book and now I’m hooked! A fascinating world lies beneath our feet, it’s just moving very slowly, and… much of it is buried.